with Lone Star Models (Cobra Company) resin correction set, Mini World metal miniguns and Print Scale decals
114th Assault Helicopter Company, US Army, Vietnam 1968

Considering it’s probably the most iconic helicopter of the 20th century, if not all time, the classic single engine Vietnam-era Huey has been spectacularly overlooked in 1/48. For the later model D/H, there is the Kitty Hawk kit (which I shall embark on next), but for the smaller A/B/C/E pioneering versions, there’s very little. There’s the Hobby Boss kit, which is super-simplified and has the wrong rotor system, or this: the ancient Monogram kit, also branded by Revell, as here. And it’s a terrible kit.
It’s not often I make a kit older than me (this harks back to 1977), and on the back of Tamiya’s 2024 F-35C, which is one of the most advanced injection-moulded kits around, it was a very rude shock. Moulded in dark green plastic, which is such a ‘joy’ to work with, the Revell boxing I’d bought for the princely sum of £7.99 in 2005 was riddled with flash. This was advertised as the ‘UH-1 Huey Hog’ and the markings professed to allow one to make either a UH-1C or a UH-1E. This is a lie.
Early versions of the Iroquois underwent a number of changes, which don’t all neatly map onto the model designators. The C and E were gunships and basically similar, the latter being the US Navy or Marines version and generally fitted with a hoist (not provided in this boxing), but differed significantly from the B. This kit is a mishmash of various features that need to be carefully parsed out.
The most obvious of these is the tail. The C/E (and some Bs later in life) gained a broader chord tail with navigation lights mounted on the side. Monogram give us the early, narrow B tail, with the tail light extending from the trailing edge. Next are the elevators mounted on the tail: the kit gives us the smaller ones from the B; we need broader ones for a C or E. Third, the nose mounted FM homing antennae are also B-model fitments and need to be chopped off; at least that’s easily done. More minor is that fuel filler caps are moulded on both sides of the fuselage as it changed from the B to the C/E; we need to keep the one on the port side and fill the one to starboard.
Some of these issues are not a big deal, but I couldn’t live with the inaccurate tail and elevators. Many years ago, the much-missed Cobra Company released a resin correction set, which fixed these matters, provided some replacement seats with less anaemic armour plate, and a more complete and accurate set of weaponry. Their moulds were taken over by Lone Star Models out of Texas, who haphazardly release the ex-CC sets every so often. In 2018 I managed to buy such a set from them. Let’s just say it covers the basics. The moulding quality is definitely sub-par, and I can’t decide if my memory of how good the Cobra Company sets I used in the 1990s were is simply coloured by what was acceptable back then, or if the moulds really have deteriorated. Air bubbles need to be filled, flash cleaned away, and moulding blemishes removed. It’s a fair amount of work.


This was going to be quite a major project of a rather small aircraft, and so I started with the difficult stuff to see if it would be viable. Better to fail early than late. Test-fitting of the resin tail showed it wouldn’t be too bad, just too wide (as mentioned in the instructions). Accordingly, I chopped the kit tail off. The elevators seemed simple enough – they just needed a lot of cleaning up.







More challenging would be the clear parts and the engine. The latter is largely hidden, but Monogram’s philosophy of basically bisecting as much of the aircraft as possible for moulding leaves a nasty and tricky seam to clean up through the exhaust. As with most of the kit, the moulding is ‘wobbly’, and even after a lot of filling and careful sanding, getting a truly circular or symmetrical exhaust outlet was a very tall order. After working pretty hard at this, I realised the kit exhaust was completely inaccurate (it’s far too long) and so hacked it off and replaced it with an unwanted part from the Kitty Hawk UH-1D kit. The bulk of the rest of the engine can be ignored.
Fitting the clear parts proved much more challenging, and this would take way more time than I anticipated. The cabin door windows are pretty clear, but have large gaps around them. I secured them initially with Tamiya Extra Thin, and when cured, filled the gaps with thick, clear CA. I like CA because it sets really hard and is really sticky, so it won’t fall off the model and will polish to a very smooth finish. The disadvantages are that it shrinks a lot, so might take multiple applications, which will produce internal defects between the layers that can’t be eliminated. I decided to plump for it anyway, but ended up adding clear UV resin on top, which can be set with a UV torch. When all was hard, I sanded it down with quite aggressive sanding sticks, working from 400 all the way up to 2500 and finally 4000. The final polish came from using Tamiya compounds (Coarse, Fine and Finish, in that order), applied with cotton wheels chucked into a Proxxon motor tool. This is extremely messy, and a mask and eye protection is recommended. I make sure to use a different buffing wheel for each grade of polish to prevent contamination. The final result is extremely smooth on the surface, but there are some visual defects where the optical properties of the plastic and CA/resin are not identical. In general, these are only really apparent close up.





The cockpit side windows are more difficult, as Monogram moulded both panes together, attached with a huge slab of clear plastic which definitely should not be there. The framing is also very poorly moulded, and the windows are too small. Initially I chose to separate the panes and then deal with them in the same way as the cabin windows. This took a very long time, with several applications of filler required inside and out, and endless sanding and polishing, again inside and out. The final result was so poor I subsequently abandoned this altogether and resorted to removing the window frames from the fuselage halves and replacing the entire upper half of each door with some clear plastic cut from an old CD case. The plastic is thick, but clear enough.












I then turned my attention to the cockpit. Monogram’s instrument panel is actually pretty good for a kit nearly 50 years old, with raised detail and a nice decal to go on top. I wanted to try something new – one of those techniques I’d only seen illustrated in modelling books of old. This technique was usually demonstrated by means of a sketch rather than photos of actual parts, and that always makes me nervous, because things always look way better in an idealised drawing than they do in real life. Would it work in real life?
What I wanted to do was make my own instrument panel from sheet styrene with the dial holes punched out. Easy to say, somewhat more difficult to do, because getting all those holes perfectly lined up is no walk in the park. To stack the odds in my favour, I scanned the kit decal sheet and in Inkscape drew a template of the instrument panel and all the dial locations. I then printed loads of these out and stuck them to a sheet of very thin styrene. Using an RP Toolz micro punch and die set, I then made about eight instrument panels. Lining up the punch over each dial (which varied between 0.7 and 1.1mm) was exceptionally difficult, but the hope was to have one panel that was good enough from the eight. This came to pass, and I was dead chuffed.
After sanding down the raised detail from the kit panel, I painted it black and applied the instrument panel decal. Disappointingly, the decal disintegrated and I lost all the beautiful dial detail I was going to display. Fortunately I had scanned the decals, so I could print out the panel on photo paper, but my scan was rather low-resolution, so the resulting detail was much blurrier than I would have liked, although better than nothing, and the photo paper coating gave a good representation of the plastic dial covers. The panel was further detailed with some PE bezels from an old Reheat sheet. Someone really needs to revive this range.





With the instrument panel done, the rest of the interior was finished as from the box, although the front seats were replaced with the marginally better resin ones. I had always planned to build this kit with all the doors closed and so didn’t really care for accuracy or detail on the inside. I designed and cut some masks for the front windows from vinyl film and applied them to the upper front doors I’d glued in from the cut up CD case. I could then assemble the fuselage halves before inserting the finished interior.






The general rule in this kit was that nothing fitted – the front windscreen being a significant (and welcome) exception. The main cabin doors were slightly short-shot around the lower sides resulting in huge gaps, so after glueing them to the fuselage sides, copious amounts of black CA mixed with VMS filled powder were daubed around the edges. After sanding everything smooth, the shut lines for all four doors were scribed in using a Madworks DLC 0.15mm scriber and some guide tape from the same company. This made everything look neater. I wasn’t shy about removing all the raised rivets as I planned to replace them all later on anyway.










To get the tail and the rear fuselage width equal, Cobra Company recommend splicing the latter with plastic card. To begin with I wanted to avoid this as it might make the tail look kite-shaped in plan view. I considered thinning the resin tail, but that looked like a serious job, so I relented and spliced the tail with thick plastic card. To ensure the sides had the correct geometry, I inserted the card all the way back to the engine housing both top and bottom. Once set in with black CA, it cured quickly and was easy to sand smooth.
I then stuck on the tail with my customary lackadaisical attitude, sanded the seams down, was very proud of myself, and then realised it was wonky. I tried to convince myself to live with it, but couldn’t, and so did some negative modelling to cut the tail off, reattach it at the correct angle, fill the gaps and sand them smooth. Much better. The tail itself had quite a few moulding defects, and rather than try and preserve the fine raised detail, I sanded the whole unit smooth and left the rivets until later.






The particle filter (behind the rotor housing), cabin roof, nose and front lower quarter windows fitted where they touched and required copious quantities of filler and elbow grease to sand everything smooth. The leading edges of my new front doors also had to be shaped to meet the windscreen, and I couldn’t get the geometry quite right, so the side framing of said windscreen is rather too wide on the finished model. All of these (including all the clear parts) were sanded smooth starting at 400 grit Infini sanding sponges and, in the case of all the windows, working my way up to 4000 grit followed by the Tamiya polishing compounds. This cost me the windscreen wipers, but since they were moulded as just floating on the glass, replacing them with some PE later on was no bad thing.
There is a large hole in the rear of the cabin roof, just behind the intake and ahead of the rotor mast. This looks down into an open rear cabin, which I did not like, and so plastic card and more filler solved that problem. However, what this was indicative of was that plugging all the various holes into the main cabin was very difficult. After masking my beautifully clear parts, I did fear that debris and overspray would spoil the party later. I shall return to this later…

















I was now about ready to spray the thing, but lots of other jobs had been attended to parallel to construction. The main rotor blade needed a lot of cleaning up, and the tail rotor was extremely basic. I added a little spurious detail to the latter and extended the attachment spindle with some brass tube. The skids fitted loosely into enormous slots (more leaks into the cabin which I attempted to plug) and had big chunks of moulded plastic at their front tips, when in reality these should be delicately shaped steps with some fine bracing. Thin plastic card was used for these. The resin elevators had no attachment lugs that matched the kit, so brass tubing provided something sturdier and the ability to add them right at the end. Bent plastic rod and punched plastic card discs replaced the towel-rail shaped items on the roof and either side of the tail.






And then there were the weapons. A gunship needs guns, and the UH-1C flew with a few different standard configurations. The kit provides a quad machine gun set up, which was common on early airframes, but later replaced by either a whopping great big grenade launcher on the nose (provided in the kit) or M134 miniguns on sponsons outboard of the ubiquitous rocket pods. Monogram don’t provide the miniguns, but do provide 7-shot shrouded rocket pods. Unshrouded pods would have been preferrable, but Cobra Company moulded some adequate 19-shot pods that looked cooler. I didn’t want the big thing on the nose, so plumped for the miniguns and rockets.
These all attach to a cradle that threads its way between the skids under the fuselage. The pylons on the ends of this cradle bear very little relation to reality, but that was a correction too far for me. To the cradle are attached a pylon with the rocket pods, and then to this a cylindrical protrusion, the end of which features the gun. The cylinders should have a different shape to those in the kit, with a flat face to the front, which I crudely replicated with some spare plastic blended in with lots of filler and some plastic rod. Most gunship Hueys featured bracing struts between the pylons and the rear fuselage, which are missing from the kit, and I made some basic items up from brass tube.
Some resin miniguns come in the correction set, and these are okay, but a little blurry and have no useable ammo belts. I discovered that the Ukrainian company Mini World makes some gorgeous metal guns, with beautiful ammo belts, and couldn’t resist getting a couple. They are generic, so not intended for this application, but the casting quality is incredible, and I mocked up some fictious mounts for them to attach to the end of the ‘cylinders’.


Before I could get to paint proper, I needed to rivet the model using Eduard and Archer resin rivets. These come on a sheet of decal film you cut into strips and are easy enough to apply over some Mr Finishing Surfacer 1500 Gray. The main downside is the decal film remains visible close up, and the strips don’t conform to compound curves, such as the nose, but it’s better than having nothing. Given the amount of bodywork I’d had to do, the kit-moulded rivets never stood a chance.





The model shifted into paint, which I based on a solid coat of Mr Mahogany Surfacer 1000 followed by a highlight with Zinc Chromate Yellow. The actual colours I used are a bit of a blur as I opened three Olive Drabs I have by Mr Color (12, 38 and 304). 304 (FS34087) is the correct colour, but looked too saturated to me, so I mixed it with the other two and various brown and buff paints to get a lot of variety. These were all airbrushed fairly haphazardly over the airframe and the upper surfaces of the rotor blades.
Decals for UH-1Cs are hard to come by, and the only set I found available was by Print Scale. I’ve always been a bit nervous of this company because people seem to have trouble with their decals, and they do provide some specific instructions which don’t inspire confidence. Nevertheless, it was the only option I had, so I bought the set, featuring a UH-1C from the 114th Assault Helicopter Company in 1968.
I could find almost no photos of UH-1Cs from this company, only a couple of small images from not-very-helpful angles on the internet. The striking nose art made me guess this airframe didn’t have the nose-mounted grenade launcher, but everything else was up for grabs. Consequently, in the absence of photographic guidance, I decided to squeeze as many Huey oddities as I could into the final colour scheme. These included white recognition bands on the upper rotor blades, mis-matched tail rotor blades, chrome parts on the miniguns, graffiti on one of the rocket pods and some off-white edging around one of the lower windows, all of which I had seen on various photos. It was implausible that this is correct for this airframe, but it was fun.



The decals themselves were wonderful. Following the manufacturer’s advice, I left them to soak in warm (not hot) water for quite a long time. They need to be transferred directly from the paper to the model as they have no elastic strength at all and are extremely floppy. This means they conform very quickly and very well, but require a lot of care to move them around. I was impressed. Under some heavy coats of thinned Gunze GX113 Flat, the carrier film became almost invisible.
Operational Hueys in Vietnam were, of course, filthy, and so I played around with lots of ABT502 oil paints applied wet, mainly based around Sepia, but mixed variously with Raw Umber, Burnt Umber, Black, Dust and Faded Yellow. Mixing black and yellow will get you olive drab, so with these colours lots of shades are possible.
My worst fears were exceeded once this was concluded and the masks were all removed from the clear parts: dust, debris and some weird overspray on all their interior surfaces. With absolutely no way to access the interior, I was crushed and lost enthusiasm for the remaining stages of the build. I played around with some dust effects on the skids (Lifecolor paint worn away with white spirits) and polished the top surfaces back to reveal the iron shade I had applied prior to the olive drab, but I couldn’t be bothered to extend it to the fuselage, which is why that’s inexplicably not dusty. The nav lights were all painted and the red light added to the engine housing from a scrap of clear plastic, along with all the silver door handles cut from stuff I found in the spares box.
This was a pig of a kit and I loved every minute of trying to make it better. The marred interior surfaces of the clear parts are a huge disappointment, but if I overlook that, the rest of it exceeded my expectations. Sometimes I just need a project where I’ve got nothing to lose to try new things and extend my comfort zone.





































Year bought: 2005 (R&D Models, Cambridge)
Year built: 2025 (New Addington, Croydon)
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